Verdi’s masterpiece La Traviata in best production ever

January 4, 2024 by  
Filed under Featured Articles, Music, theatre

An Opera review by Victor Grynberg Read more

The Tales of Hoffmann

July 13, 2023 by  
Filed under Featured Articles, Music

An opera review by Murray Dahm Read more

Madama Butterfly: An opera review by Murray Dahm

March 27, 2023 by  
Filed under Featured Articles, Music, theatre

This Handa Opera on Sydney Harbour (HOSH) production of Puccini’s Madama Butterfly was first seen in 2014 and here makes its triumphant return ‘home.’ Read more

Murray Dahm speaks with Carmen’s bullfighter

November 23, 2022 by  
Filed under Featured Articles, Music

I last spoke with Daniel Sumegi before the Melbourne performances of Wagner’s Lohengrin earlier this year. Now he returns to Australia in Carmen on Cockatoo Island as Escamillo, the bull-fighter and lover of the gypsy Carmen after she has tired of ex-corporal Don Jose. Read more

Phantom of the Opera: Murray Dahm talks with Naomi Johns

March 25, 2022 by  
Filed under Featured Articles, Music

Naomi Johns was very excited to be involved in her first-ever Opera Australia publicity when I spoke with her ahead of the opening night of Handa Opera on Sydney Harbour’s Phantom of the Opera production which opens tonight. Read more

Faust: McVicar’s devilish take on classic opera…an opera review by Victor Grynberg

February 13, 2020 by  
Filed under Featured Articles, Music

One of France’s greatest ever composers, Charles Gounod had an immediate hit on his hands when his opera Faust finally premiered in Paris in 1859. Read more

Singers shine in Lucia di Lammermoor: an opera review by Victor Grynberg

July 3, 2018 by  
Filed under Featured Articles, Music

Exquisite singing was the memorable takeout of the re-staging of Donizetti’s Lucia di Lammermoor at the Joan Sutherland Theatre of the Sydney Opera House. Read more

Madama Butterfly: an opera review by Victor Grynberg

October 25, 2017 by  
Filed under Featured Articles, Music

Last July Victoria’s Minister for Creative Arts, (in)famously accused Opera Australia of being happy to have an audience that will “die in their seats”. Read more