Wednesday, Jun 24th 2026
Australia, NZ & worldwide Jewish news that matters

Opera

The Phantom of the Opera

An opera review by Alex First Superlatives can’t do justice to a magnificent Handa Opera production of The Phantom of the Opera on its 40th...

Hansel & Gretel- now a spectacular opera

An Opera Review by Victor Grynberg There would be few people unaware of the famous fairy tale Hansel & Gretel, written by the German brothers...
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Sydney Opera House memorial reclaims a national symbol after Bondi attack

Flags above the Sydney Harbour Bridge flew at half-mast last night as families of the victims, Jewish leaders and...

Carmen – an opera review by Alex First

Passion, obsession, desperation, jealousy and rage make for a fiery combination in composer Georges Bizet’s Carmen, newly interpreted by...

Performer displays PLO flag at London’s Royal Opera House

A cast member at London’s Royal Opera House unfurled a PLO flag during the final curtain call of Giuseppe...

Lang Lang at the Opera House

The Sydney Symphony Orchestra (SSO) hosted a beautiful evening of French music of the Romantic era featuring the dazzling...

Il Trittico – an opera review by Murray Dahm

Puccini’s Il Trittico is a peculiar piece. Its name is the Italian for a triptych, three panels of the...

Idomeneo: an opera review by Alex First

Superb staging is a hallmark of Mozart’s dramatic opera Idomeneo, set on the island of Crete shortly after the...

Aida – an opera review by Murray Dahm

Verdi’s Aïda (1871) is a remarkable opera for all sorts of reasons. It was initially commissioned for the opening of...

Madama Butterfly: An opera review by Murray Dahm

This Handa Opera on Sydney Harbour (HOSH) production of Puccini’s Madama Butterfly was first seen in 2014 and here...

Adriana Lecouvreur: An opera review by Victor Grynberg

Francesco Cilea’s ADRIANA LECOUVREUR is a rarely produced opera nowadays, and this critic doesn’t recall ever seeing it before. So...

La Traviata: an opera review by Alan Slade

It’s always disappointing when you walk into the foyer ahead of a performance to read a sign advising that...