An opera review by Victor Grynberg
Franz Lehar, the Austro-Hungarian composer born in 1870, composed the music in 1905 based on a French comedy play, “The Embassy Attache,” written in 1861.
Already famous for operettas, nothing Lehar wrote before or after became as popular as THE MERRY WIDOW. The score is superb, with three songs in particular acknowledged as global hits.
VILJA, You’ll find me at MAXIM’S, and THE MERRY WIDOW WALTZ.
The operetta, originally set in the early 1900s, is written in German and is both spoken and sung in English, with a translation by Justin Fleming. This production is set in Paris during the 1920s Art Deco period, with fantastic Direction and Choreography by renowned dancer and choreographer Graeme Murphy, aided by Janet Vernon.
Yes, I’m a big fan of local productions by Opera Australia, and the tremendous applause on Opening night was an acknowledgement that every single aspect of this production was absolutely magnificent.
My list of people to commend is huge because this particular production was very definitely world-class.
Starting with the fabulous Opera Australia Orchestra conducted by Australian-born Vanessa Scammell.
The lead singers were all outstanding, both when they spoke and when they sang. Congratulations to Julia Lee Goodwin, Alexander Lewis, David Whitney, Alexandra Flood, and John Longmuir and their support. Just wonderful
What is normally very good in OA productions hit a new peak in singing, dancing, and effectiveness in the OA Chorus under Chorus Master Paul Fitzsimon. World-class.
The set design by Michael Scott- Mitchell was another brilliant part of this production. As were the costumes designed by Jennifer Irwin.
Whether for a young or an old audience, everyone will definitely love this production.
5 Stars
THE MERRY WIDOW
Joan Sutherland Theatre
Sydney Opera House
July 8, 2026
Brilliantly written by Victor Grynberg!