Humans 2.0
A Melbourne Circa performance reviewed by Alex First
Photo by David Kelly
Humans 2.0 pushes the limits of physical endeavour
Outstanding performing arts company Circa is known for pushing boundaries and it has done so again with Humans 2.0.
Blending movement and circus, 10 performers produce a succession of extraordinary routines that focus on strength, precision, agility and daring.
Humans 2.0 is a physically demanding showcase of just what is possible.
Against a strong, often pulsating, music bed (from Ori Lichtik), the artistes roll, tumble, turn, lift, hold, balance and throw.
Their signature moves include constructing human towers up to three persons high.
Save for occasional apparatus such as aerial straps, silks and swing, there are no props – purely human endeavour at its finest.
Created by director Yaron Lifschitz and the Circa ensemble, Humans 2.0 features inspired feats, superbly choreographed and executed.
I can only imagine how much effort must have gone into perfecting the work, which requires a great deal of trust and bravery to pull off seamlessly.
I say that because bodies are literally flung about and caught.
It is non-stop action, complete with costume changes (the work of Libby McDonnell) and mood lighting.
With leaps and bounds aplenty, Humans 2.0 is thrilling and inspiring.
It continues a tradition of excellence that started with the formation of the company in 2004.
Never ones to rest on their laurels, members of the troupe continue to explore new, often dangerous, ways to captivate audiences the world over and they don’t miss a beat.
Humans 2.0 is on at Playhouse, Arts Centre Melbourne until 24th May, 2025.
