Exquisite singing was the memorable takeout of the re-staging of Donizetti’s Lucia di Lammermoor at the Joan Sutherland Theatre of the Sydney Opera House.
On her third visit in just six years, arguably the world’s leading violinist, Anne Sophie Mutter clearly wanted to share her ability with a delighted Sydney audience.
Last July Victoria’s Minister for Creative Arts, (in)famously accused Opera Australia of being happy to have an audience that will “die in their seats”.
