A home visit from Sarah Grunstein: a music review by Fraser Beath McEwing

Internationally recognised concert pianist, Sarah Grunstein returned to her Sydney roots for a twilight Opera House recital.
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The House with a Clock in Its Walls – film review by Elana Bowman

Lewis (Owen Vaccaro) is sent to live with his Uncle Jonathan (Jack Black) in an old Michigan mansion. Read more

Sarah visits home bringing Beethoven and Bach

Internationally acclaimed Australian pianist, Sarah Grunstein, returns to the Sydney Opera House by popular demand, to perform two concerts in 2018. Read more

Grosvenor was generous and brilliant: a music review by Fraser Beath McEwing

If ever there was a piano recital worth queuing up for it was the one given last night by young English pianist, Benjamin Grosvenor. Read more

Second time around

The role of Tevye in the upcoming Moriah production of Fiddler on the Roof will be played by David Solomon who performed the role in 1994…which was directed by Roberta Goot in charge of the 2018 Fiddler. Read more

The Miseducation of Cameron Post: a movie review by Elana Bowman

Being sent away for being gay? The terrible tragedy is that Cameron does not come out, she is found out at her prom no less by her prom date, and she is sent away post-haste by her very misguided guardians. Read more

A moving feast of Johannes: a music review by Fraser Beath McEwing

The Sydney Symphony Orchestra devoted its prowess to a whole program by one composer in the APT Master Series concert last night. And while that didn’t cast a wide musical net, it delivered an outstanding experience for those who are partial to Johannes Brahms. Read more

You Were Never Really Here: a movie review by Elana Bowman

Meet Joe. He carries the darkness within him, so it’s no surprise he is characterised as a slightly overweight, full of scars, totally unkempt, and seems to be falling apart, so he comes across as a lumbering hitman who is tasked with being brutal. Read more

Roman Salyutov’s Melbourne piano recital

Russian-German pianist Roman Salyutov visited Melbourne  on his way home from New Zealand where he enthralled music lovers in  a recital…writes Ron Jontof-Hutter. Read more

The Turk in Italy: an Opera review by Victor Grynberg

2 parts Rossini + 1 part Phillips = a sparkling cocktail. Read more

An interview with pianist Roman Salyutov

Ron Jontof-Hutter meets Russian-German Pianist Roman Salyutov who will perform in  recital on Sunday at the South Melbourne  Town Hall. Read more

Ben and Gus don’t let you off lightly: a music review by Fraser Beath McEwing

A program of Britten and Mahler is not for those who want to hum tunes or tap feet, as demonstrated by last night’s APT Master Series SSO concert at the Sydney Opera House. Read more

Crazy Rich Asians: a movie by Hila Tsor

Highly entertaining and colourful, Crazy Rich Asiansis an Asian-American romantic comedy which follows Rachel (Constance Wu), a smart and beautiful NYU economics professor who accompanies her boyfriend to Singapore for his best friend’s wedding, and discovers that her boyfriend comes from an extremely wealthy family… Read more

Osborne at war and peace – a music review by Fraser Beath McEwing

Distinguished Scottish pianist, Steven Osborne, unexpectedly interleaved major piano works by Debussy and Prokofiev to present contrasting musical landscapes, not only in composition but playing style as well. Read more

The Lives of Brian: a book review by Rabbi Jeffrey Cohen

I must begin this review with a caveat. Over the years Brian Sherman and my own life have occasionally crossed. Sometimes it was at an opening of an exhibition at Sherman Galleries (established by his wife Gene); once it was at a screening of a movie made by his son Emil (who later won an Oscar); and often just hearing about him. Read more

Fiddler returns to Moriah

Moriah College, Sydney’s oldest and largest Jewish school, presents the definitive production of the classic Broadway musical FIDDLER ON THE ROOF from 21 October to 1 November – and with an all-singing, all-dancing cast of more than 150. It’s a Tradition! Read more

Put this one on your Liszt: A CD review by Fraser Beath McEwing

The piano music of Franz Liszt is often seen as either too syrupy or a keyboard version of a wood-chopping event. Read more

Aida…spectacular and phenomenal: an opera review by Victor Grynberg

The reader may think this headline refers to the much-anticipated digital set for this new production of Verdi’s great opera by Opera Australia. Read more

Picturesque, to say the least: a music review by Fraser Beath McEwing

Last night’s Sydney Symphony Orchestra’s APT Master Series concert was all about creating dramatic sound pictures, some clearly subtitled, some borrowed form the Russian Orthodox Church and the rest a challenging kaleidoscope from a contemporary American female composer. Read more

The Dead Still Cry Out: The Story of a Combat Cameraman: a book review by Geoffrey Zygier

As a young girl playing in her home in England one day, Helen Lewis opened an old, apparently hidden suitcase. Read more

The Man in the Attic: a theatre review by Hila Tsor

Emotive and powerful, written by Timothy Daly, directed by Moria Blumenthal and produced by Shalom and Moria Blumenthal Productions, The Man in the Attic presents a deep piece to the Sydney audience. Read more

Rigoletto: Tragedy and melody in triumph: an opera review by Victor Grynberg

This 17^th of the 37 operas that Verdi wrote, arguably has the best score of all his masterpieces. Read more

Back to Burgundy – a move review by Roz Tarszisz

My French is not that flash but I think the French title –  Ce qui nous lie ­– could have been given a more literary translation. Read more

The Secret Singer

Multi-award-winning darlings of the Australian stage and screen, Genevieve Lemon and Kate Mannix star in the world premiere season of a joyful new musical play – based on a true story – by Joanna Weinberg (Goddess, Pandora’s Bag, Lifeforce, The Piano Diaries). Read more

The unexpected from Simon Trpčeski: a music review by Fraser Beath McEwing

Those who have followed the career of Macedonian pianist, Simon Trpčeski, might have expected a program of at least some popular technical showpieces for his solo concert in the Sydney Recital Hall last night. Read more

Singers shine in Lucia di Lammermoor: an opera review by Victor Grynberg

Exquisite singing was the memorable takeout of the re-staging of Donizetti’s Lucia di Lammermoor at the Joan Sutherland Theatre of the Sydney Opera House. Read more

Zbaraz: a community extinguished…a book review by Geoffrey Zygier

Once there was a land called Galicia, which straddled the modern-day border between Poland and Ukraine. Read more

Play it again, Avan: a music review by Fraser Beath McEwing

Avan Yu, winner of the 2012 Sydney Piano Competition, was invited back to play a concert at the Sydney Con last night. Read more

An evening with Sir Andrew Davis, Anne-Sophie Mutter and the MSO

The Melbourne Symphony orchestra conducted by Sir Andrew Davis played a memorable concert on Saturday evening…writes Ron Jontof-Hutter. Read more

Anne-Sophie Mutter with the Sydney Symphony Orchestra: a music review by Victor Grynberg

On her third visit in just six years, arguably the world’s leading violinist, Anne-Sophie Mutter clearly wanted to share her ability with a delighted Sydney audience. Read more

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