Here You Come Again
A Sydney musical review by Shirley Politzer
Well, hello Dolly! Starring as Dolly Parton, American writer, singer, and performer Tricia Paoluccio is simply perfect and believable as Dolly in every way. She walks the walk, talks the talk, sings the songs, and fills the stage with fun, laughter, heart, joy, and pizzazz.
The show’s premise is inspired by the COVID-19 lockdown, (and was written during COVID) when many of us found ourselves with too much time on our hands. Here, the sometimes thin storyline follows Kevin (Dash Kruck), a forty-something Dolly devotee who has moved back in with his parents after his life has fallen apart during the pandemic. Alone, living in the attic, surrounded by his beloved Dolly memorabilia, Kevin imagines that Dolly herself appears before him—part guardian angel, part life coach, always armed with cutesy, witty advice to help with his boyfriend problems and a comforting presence through the power of song.
Dash Kruck’s performance clearly leads the audience to believe Kevin’s exasperation at the futility of his life.
The production is a joyous celebration of the Dolly Parton songbook. Hits such as “Jolene”, “Here You Come Again” and “Nine to Five” had the audience bopping along. I was less familiar with but truly enjoyed, the slower songs like “God’s Colouring Book”, and “Love is Like a Butterfly” which were very warm and soulful. Dolly and Kevin sing the duet “Islands in the Stream.”
While the first half of the show lingered perhaps a little too long on Kevin’s backstory, the second half picked up momentum and moved at a far more engaging pace.
The most impactful song of the night would have to be “I Will Always Love You”, made famous by Whitney Houston but written and first recorded by Parton herself. Sung with strength and grace by Paoluccio, it was a reminder of Dolly’s extraordinary gift for songwriting.
The genres chosen for the show include country classic, country pop disco, ballad and gospel-plenty of variety for most tastes in music. These songs are cleverly woven into the script, heightening both the humour and sadness of Kevin’s problems.
All the essential Dolly trademarks are on show, much to the audience’s delight- sequins, fringes, rhinestones, and sky-high wigs. Adding to the sparkle are Paoluccio’s many dazzling costume changes, each one capturing a different side of Dolly’s larger-than-life persona.
Equally impressive are the all-Australian onstage band and supporting cast. The band was directed and orchestrated by Andrew Worboys, who also played the keyboard and pedal steel guitar. Joined by Tina Harris (bass), Luke Herbert (drums), and Ash Murdica (guitar), this ensemble does far more than accompany the singers. They act, harmonise, and shift seamlessly between characters, sometimes stepping into the spotlight, other times offering support in the background. Their versatility and flair give the production a rich, dynamic texture.
And just when the audience thinks the evening is over, a post-show concert of Dolly classics invites everyone to their feet. The capacity crowd didn’t have to be asked twice to dance and sing along with Paoluccio, all in white and glitter, proving once again the enduring power of Dolly’s music and the warmth she inspires.
The opening night atmosphere extended beyond the stage. The pink carpet was a spectacle in itself, with many fans in the crowd dressed as Dolly, wearing glitter, wigs, cowboy hats, boots, big boobs and plenty of rhinestones. Their joyful parade reflected the strong connection Dolly has long shared with the LGBTQ+ community, who embrace her as both an icon and an ally. In an interview with Billboard, Parton said “I think everybody should be allowed to be who they are, and to love who they love. I don’t think we should be judgemental.” That message of love and acceptance radiated through both the show and its audience.
It’s no surprise that “Here You Come Again” has been playing to sold-out houses. With its heartwarming story, infectious humour, irresistible music, and vibrant performances, this production is more than a tribute concert—it’s a joyous reminder of Dolly Parton’s ability to lift spirits, even in the darkest times.
Created by Bruce Vilanch, Gabriel Barre and Tricia Paoluccio
Theatre Royal, Sydney
September 12-October 18, 2025
