Puss in Boots: The Last Wish (PG): a movie review by Alex First

December 28, 2022 by  

Puss in Boots (the voice of Antonio Banderas) first appeared in Shrek 2 in 2004 before showing up again in a couple of other Shrek sequels and then a standalone film in 2011. Read more

The Lost King : A movie review by Alex First

December 27, 2022 by  

Philippa Langley (Sally Hawkins) is a quirky, intelligent, divorced mother who suffers from chronic fatigue syndrome. Read more

I Wanna Dance with Somebody (M): A movie review by Alex First

December 27, 2022 by  

The tumultuous life of the world’s most awarded female vocalist is put under the spotlight in I Wanna Dance with Somebody. Read more

Triangle of Sadness (M): a movie review by Alex First

December 26, 2022 by  

A black comedy focusing on beauty, influencers, ostentatiousness, excess, pretension and power, Triangle of Sadness unfolds in three parts. Read more

The Banshees of Inisherin (M): a movie review by Alex First

December 26, 2022 by  

What does it take to ruin a friendship? Read more

Moulin Rouge! The Musical: A Sydney theatre review by Alex First

December 16, 2022 by  

Polished performances, magnificent mashups, elegant and evocative sets, colourful and creative costumes, and charismatic choreography are the highlights of Moulin Rouge! The Musical. A striking spectacle. Read more

Avatar: The Way of Water (M): a movie review by Alex First

December 15, 2022 by  

Avatar’s magnificent journey continues with awe-inspired distinction in The Way of Water. Read more

Handel’s Messiah: a choral concert reviewed by Victor Grynberg

December 14, 2022 by  

Since I attended the opening of the Sydney Opera House 50 years ago, I have attended perhaps more than 1500 performances there. Read more

Andrew had nowhere to sit, so he stood up and played: a music review by Fraser Beath McEwing

December 8, 2022 by  

When Andrew Haveron walked on stage at the Sydney Opera House concert hall last night carrying his violin, his usual chair was occupied by associate concertmaster Harry Bennetts. Read more

Carmen’s Don Jose: Diego Torre speaks with Murray Dahm

November 29, 2022 by  

I spoke with Diego Torre ahead of Carmen on Sydney’s Cockatoo Island, in which he takes on the role of Don Jose. Read more

“Carmen “ on Cockatoo Island. ‘Unforgettable and a must see’ says Victor Grynberg

November 28, 2022 by  

Carmen is probably the most played opera around the world. Read more

Monsters: a Melbourne theatre review by Alex First

November 27, 2022 by  

As children, what did we fear the most? That the boogie man will get us. Read more

Murray Dahm speaks with Carmen’s bullfighter

November 23, 2022 by  

I last spoke with Daniel Sumegi before the Melbourne performances of Wagner’s Lohengrin earlier this year. Now he returns to Australia in Carmen on Cockatoo Island as Escamillo, the bull-fighter and lover of the gypsy Carmen after she has tired of ex-corporal Don Jose. Read more

Joseph and the Technicolor Dreamcoat: A Melbourne theatre review by Alex First

November 20, 2022 by  

Straight from the West End, the new, reimagined production of Joseph and the Technicolor Dreamcoat is a delightful, fun, engaging and dynamic family musical. Read more

The Phantom of the Opera: Alex First reviews the Melbourne production

November 15, 2022 by  

Cameron Mackintosh’s new production of Andrew Lloyd Webber’s masterful work The Phantom of the Opera sizzles. Read more

Sunshine Super Girl: a theatre review by Alex First

November 13, 2022 by  

Respectful, determined and humble. That is the picture that emerges of Australian tennis great Evonne Goolagong Cawley in the Melbourne Theatre Company’s Sunshine Super Girl, a moniker given to her by the British press. Read more

Gundog (Three Fates Theatre) reviewed by Alex First

November 11, 2022 by  

The rough lot of an impoverished farming clan is front and centre in Gundog, a dramatic and confronting play with lashes of humour. Read more

A beauty and two beasts: Music review by Fraser Beath McEwing

November 10, 2022 by  

Under the baton of Simone Young, the SSO turned in a stirring performance last night from the two big Bs: Brahms’ first symphony and Beethoven’s violin concerto with soloist James Ehnes. Read more

Lunch with Umberto

November 9, 2022 by  

A Little Lunch Music is a long-running series created by the accomplished Australian pianist Kathryn Selby in 2007. Read more

The Hunt: A Peter Decker and Rina Lazarus thriller

November 7, 2022 by  

Faye Kellerman’s book reviewed by Rabbi Jeffrey Cohen. Read more

Verdi’s Attila: another masterpiece – reviewed by Victor Grynberg

November 2, 2022 by  

Giuseppe Verdi, in the judgement of many, was the greatest ever composer of operas. Read more

Urinetown: The Musical – Melbourne review by Alex First

November 1, 2022 by  

A 20-year drought has led to the blatant exploitation of the underprivileged. Read more

Girls & Boys: a Melbourne theatre review by Alex First

October 28, 2022 by  

A sharp and witty British woman unpicks her life before our eyes and what a life it has been. Read more

DanceX Part II: reviewed by Alex First

October 26, 2022 by  

The Australian premiere of Johan Inger’s comic, romantic dance theatre piece I New Then, set to songs by Van Morrison, is superb. Read more

Antisemitism and racism capture attention in Armageddon Time

October 16, 2022 by  

A new, sensitive, coming-of-age story highlighting the African American and Jewish experience is a vehicle to propel two bright young actors onto the world stage. They talk with J-Wire. Read more

Alex First reviews Romeo and Juliet performed by the Australian Ballet

October 12, 2022 by  

 After a 19-year hiatus, the emotion-charged, highly acclaimed production of Romeo and Juliet by choreographer John Cranko takes centre stage at Arts Centre Melbourne. Read more

The Meeting: a theatre review by Alex First

October 7, 2022 by  

A secret imaginary rendezvous between two towering but polar opposite African American leaders plays out in The Meeting. Read more

Ghost Stories: a theatre review by Alex First

October 3, 2022 by  

An engaging professor of parapsychology talks us through the history of ghost stories – how they came to be and how they have evolved over time. Read more

Cyrano: a theatre review by Alex First

September 30, 2022 by  

A massive triumph. The MTC production of the season. A talented cast, headlined by writer and star Virginia Gay proves that the pen is mightier than the sword. Read more

Instruments of Dance (The Australian Ballet): reviewed by Alex First

September 28, 2022 by  

The second line of Peter Allen’s iconic anthem, I Still Call Australia Home, contains the words “From New York to Rio and old London Town”. Read more

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