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	<title>sydney philharmonia Archives &#8211; J-Wire</title>
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		<title>Rossini in Paris</title>
		<link>https://www.jwire.com.au/rossini-in-paris/</link>
					<comments>https://www.jwire.com.au/rossini-in-paris/#respond</comments>
		
		<dc:creator><![CDATA[Shirley Politzer]]></dc:creator>
		<pubDate>Fri, 23 May 2025 04:36:36 +0000</pubDate>
				<category><![CDATA[Featured Articles]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[rossini]]></category>
		<category><![CDATA[shirley politzer]]></category>
		<category><![CDATA[sydney philharmonia]]></category>
		<guid isPermaLink="false">https://www.jwire.com.au/?p=169292</guid>

					<description><![CDATA[<p>A music review by Shirley Politzer When a master of storytelling, like Gioachino Rossini, composes choral music that speaks of struggles, oppression, joy, freedom and peace, those ideas resonate with an audience. In his rarely performed William Tell, in the Act 1 highlights as chosen by Brett Weymark (Artistic and Musical Director) we see these [&#8230;]</p>
<p>The post <a href="https://www.jwire.com.au/rossini-in-paris/">Rossini in Paris</a> appeared first on <a href="https://www.jwire.com.au">J-Wire</a>.</p>
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