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	<title>sydney opera house Archives &#8211; J-Wire</title>
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	<description>Australia, NZ and worldwide Jewish news that matters</description>
	<lastBuildDate>Mon, 11 May 2026 06:20:16 +0000</lastBuildDate>
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		<title>Behind every Royal Commission witness are hundreds too afraid to speak</title>
		<link>https://www.jwire.com.au/behind-royal-commission/</link>
					<comments>https://www.jwire.com.au/behind-royal-commission/#respond</comments>
		
		<dc:creator><![CDATA[Rob Klein]]></dc:creator>
		<pubDate>Mon, 11 May 2026 06:20:16 +0000</pubDate>
				<category><![CDATA[Local]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[antisemitic graffiti]]></category>
		<category><![CDATA[antisemitism]]></category>
		<category><![CDATA[australia]]></category>
		<category><![CDATA[eddie jaku]]></category>
		<category><![CDATA[holocaust]]></category>
		<category><![CDATA[jewish]]></category>
		<category><![CDATA[royal commission]]></category>
		<category><![CDATA[sydney opera house]]></category>
		<guid isPermaLink="false">https://www.jwire.com.au/?p=181022</guid>

					<description><![CDATA[<p>For every witness who has appeared before the Royal Commission into Antisemitism and Social Cohesion, there are likely thousands of other Jewish Australians with equally compelling stories who have chosen not to testify publicly. Many fear repercussions for themselves and their families at work, at school, at university and online. One of them is Sydney [&#8230;]</p>
<p>The post <a href="https://www.jwire.com.au/behind-royal-commission/">Behind every Royal Commission witness are hundreds too afraid to speak</a> appeared first on <a href="https://www.jwire.com.au">J-Wire</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">181022</post-id>	</item>
		<item>
		<title>Asi Wind brings more than magic to Sydney</title>
		<link>https://www.jwire.com.au/asi-wind-brings-more-than-magic-to-sydney/</link>
					<comments>https://www.jwire.com.au/asi-wind-brings-more-than-magic-to-sydney/#respond</comments>
		
		<dc:creator><![CDATA[Rob Klein]]></dc:creator>
		<pubDate>Fri, 20 Feb 2026 05:26:57 +0000</pubDate>
				<category><![CDATA[Arts]]></category>
		<category><![CDATA[Have You Heard?]]></category>
		<category><![CDATA[theatre]]></category>
		<category><![CDATA[magician]]></category>
		<category><![CDATA[sydney]]></category>
		<category><![CDATA[sydney opera house]]></category>
		<guid isPermaLink="false">https://www.jwire.com.au/?p=177855</guid>

					<description><![CDATA[<p>For Israeli-born magician Asi Wind, magic is not about fooling people. It is about reaching them. Speaking to J-Wire during his first visit to Sydney, Asi explains how magic can serve as a rare bridge between strangers, allowing them to lower their guard and experience something deeply human. “My love is not for magic. My [&#8230;]</p>
<p>The post <a href="https://www.jwire.com.au/asi-wind-brings-more-than-magic-to-sydney/">Asi Wind brings more than magic to Sydney</a> appeared first on <a href="https://www.jwire.com.au">J-Wire</a>.</p>
]]></description>
		
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			<slash:comments>0</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">177855</post-id>	</item>
		<item>
		<title>Choosing optimism: Eddie Jaku’s story comes to the Sydney Opera House</title>
		<link>https://www.jwire.com.au/choosing-optimism-jaku/</link>
					<comments>https://www.jwire.com.au/choosing-optimism-jaku/#respond</comments>
		
		<dc:creator><![CDATA[Rob Klein]]></dc:creator>
		<pubDate>Sun, 01 Feb 2026 06:02:42 +0000</pubDate>
				<category><![CDATA[Have You Heard?]]></category>
		<category><![CDATA[theatre]]></category>
		<category><![CDATA[Anton Berezin]]></category>
		<category><![CDATA[eddie jaku]]></category>
		<category><![CDATA[holocaust]]></category>
		<category><![CDATA[sydney opera house]]></category>
		<guid isPermaLink="false">https://www.jwire.com.au/?p=177155</guid>

					<description><![CDATA[<p>The extraordinary life and outlook of Holocaust survivor Eddie Jaku will be brought to the Sydney Opera House stage in May 2026 with the Australian premiere of The Happiest Man on Earth, a one-man play starring and produced by Anton Berezin. In an interview with JWire, Berezin said the one-man play represents a conscious shift [&#8230;]</p>
<p>The post <a href="https://www.jwire.com.au/choosing-optimism-jaku/">Choosing optimism: Eddie Jaku’s story comes to the Sydney Opera House</a> appeared first on <a href="https://www.jwire.com.au">J-Wire</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">177155</post-id>	</item>
		<item>
		<title>SHIR to perform at &#8216;Australia Day Live&#8217; in historic first for Jewish music</title>
		<link>https://www.jwire.com.au/shir-to-perform-at-australia-day-live-in-historic-first-for-jewish-music/</link>
					<comments>https://www.jwire.com.au/shir-to-perform-at-australia-day-live-in-historic-first-for-jewish-music/#respond</comments>
		
		<dc:creator><![CDATA[Rob Klein]]></dc:creator>
		<pubDate>Fri, 23 Jan 2026 06:40:08 +0000</pubDate>
				<category><![CDATA[Have You Heard?]]></category>
		<category><![CDATA[australia day]]></category>
		<category><![CDATA[jewish community]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[SHIR]]></category>
		<category><![CDATA[sydney opera house]]></category>
		<guid isPermaLink="false">https://www.jwire.com.au/?p=176762</guid>

					<description><![CDATA[<p>SHIR will take to the stage at &#8216;Australia Day Live&#8217; this Monday night on the forecourt of the Sydney Opera House, marking a first for the national event and a moment of deep significance for the Jewish community. It is believed to be the first time an openly Jewish band will perform at &#8216;Australia Day [&#8230;]</p>
<p>The post <a href="https://www.jwire.com.au/shir-to-perform-at-australia-day-live-in-historic-first-for-jewish-music/">SHIR to perform at &#8216;Australia Day Live&#8217; in historic first for Jewish music</a> appeared first on <a href="https://www.jwire.com.au">J-Wire</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">176762</post-id>	</item>
		<item>
		<title>Sydney Opera House memorial reclaims a national symbol after Bondi attack</title>
		<link>https://www.jwire.com.au/sydney-opera-house-memorial-reclaims-a-national-symbol-after-bondi-attack/</link>
					<comments>https://www.jwire.com.au/sydney-opera-house-memorial-reclaims-a-national-symbol-after-bondi-attack/#respond</comments>
		
		<dc:creator><![CDATA[Rob Klein]]></dc:creator>
		<pubDate>Fri, 23 Jan 2026 05:27:28 +0000</pubDate>
				<category><![CDATA[Local]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[anthony albanese]]></category>
		<category><![CDATA[chris minns]]></category>
		<category><![CDATA[day of mourning]]></category>
		<category><![CDATA[rabbi ulman]]></category>
		<category><![CDATA[sydney]]></category>
		<category><![CDATA[sydney opera house]]></category>
		<guid isPermaLink="false">https://www.jwire.com.au/?p=176750</guid>

					<description><![CDATA[<p>Flags above the Sydney Harbour Bridge flew at half-mast last night as families of the victims, Jewish leaders and political figures gathered at the Sydney Opera House for a national memorial service marking the deaths of 15 people in the Bondi Beach antisemitic terror attack. The theme for the night, ‘Light Will Win’, underscored a [&#8230;]</p>
<p>The post <a href="https://www.jwire.com.au/sydney-opera-house-memorial-reclaims-a-national-symbol-after-bondi-attack/">Sydney Opera House memorial reclaims a national symbol after Bondi attack</a> appeared first on <a href="https://www.jwire.com.au">J-Wire</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">176750</post-id>	</item>
		<item>
		<title>Acclaimed Australian production &#8216;Yentl&#8217; set for London premiere</title>
		<link>https://www.jwire.com.au/acclaimed-australian-production-yentl-set-for-london-premiere/</link>
					<comments>https://www.jwire.com.au/acclaimed-australian-production-yentl-set-for-london-premiere/#respond</comments>
		
		<dc:creator><![CDATA[J-Wire Newsdesk]]></dc:creator>
		<pubDate>Mon, 05 Jan 2026 01:34:41 +0000</pubDate>
				<category><![CDATA[Have You Heard?]]></category>
		<category><![CDATA[kadimah]]></category>
		<category><![CDATA[London theatre]]></category>
		<category><![CDATA[sydney opera house]]></category>
		<category><![CDATA[theatre]]></category>
		<category><![CDATA[Yentl]]></category>
		<guid isPermaLink="false">https://www.jwire.com.au/?p=176171</guid>

					<description><![CDATA[<p>Kadimah Yiddish Theatre’s acclaimed production Yentl will appear on a London stage next year, taking an Australian reworking of a classic Yiddish story to international audiences for the first time. After successful seasons in Melbourne and Sydney, including a widely praised run at the Sydney Opera House, the production will play at the Marylebone Theatre [&#8230;]</p>
<p>The post <a href="https://www.jwire.com.au/acclaimed-australian-production-yentl-set-for-london-premiere/">Acclaimed Australian production &#8216;Yentl&#8217; set for London premiere</a> appeared first on <a href="https://www.jwire.com.au">J-Wire</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">176171</post-id>	</item>
		<item>
		<title>Australian broadcaster Erin Molan protests for hostages in Sydney</title>
		<link>https://www.jwire.com.au/australian-broadcaster-erin-molan-protests-for-hostages-in-sydney/</link>
					<comments>https://www.jwire.com.au/australian-broadcaster-erin-molan-protests-for-hostages-in-sydney/#comments</comments>
		
		<dc:creator><![CDATA[Rolene Marks - JNS]]></dc:creator>
		<pubDate>Wed, 06 Aug 2025 07:11:42 +0000</pubDate>
				<category><![CDATA[News]]></category>
		<category><![CDATA[australia]]></category>
		<category><![CDATA[erin molan]]></category>
		<category><![CDATA[gaza]]></category>
		<category><![CDATA[hamas]]></category>
		<category><![CDATA[hostage]]></category>
		<category><![CDATA[israel]]></category>
		<category><![CDATA[jewish]]></category>
		<category><![CDATA[sydney]]></category>
		<category><![CDATA[sydney opera house]]></category>
		<category><![CDATA[The Sydney Opera House]]></category>
		<category><![CDATA[women]]></category>
		<guid isPermaLink="false">https://www.jwire.com.au/?p=171747</guid>

					<description><![CDATA[<p>On August 3, nearly 22 months after the Hamas attack on Oct. 7, 2023, tens of thousands of Australians converged on Sydney’s iconic Harbor Bridge in what they called a “March for Humanity” in support of the Palestinians in Gaza. Nearby, between the Sydney Opera House and Harbour Bridge, Australian broadcaster and outspoken friend of [&#8230;]</p>
<p>The post <a href="https://www.jwire.com.au/australian-broadcaster-erin-molan-protests-for-hostages-in-sydney/">Australian broadcaster Erin Molan protests for hostages in Sydney</a> appeared first on <a href="https://www.jwire.com.au">J-Wire</a>.</p>
]]></description>
		
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			<slash:comments>1</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">171747</post-id>	</item>
		<item>
		<title>Australian landmarks light up in solidarity for Israel</title>
		<link>https://www.jwire.com.au/sydney-opera-house-to-be-illuminated-blue-and-white/</link>
					<comments>https://www.jwire.com.au/sydney-opera-house-to-be-illuminated-blue-and-white/#comments</comments>
		
		<dc:creator><![CDATA[J-Wire Newsdesk]]></dc:creator>
		<pubDate>Sun, 08 Oct 2023 12:02:01 +0000</pubDate>
				<category><![CDATA[News]]></category>
		<category><![CDATA[sydney opera house]]></category>
		<guid isPermaLink="false">https://www.jwire.com.au/?p=151318</guid>

					<description><![CDATA[<p>Australian landmarks will be lit up in blue and white in solidarity with Israel after Islamist group Hamas launched the bloodiest attack on the country in decades. Mockup: The New South Wales Jewish Board of Deputies NSW Premier Chris Minns confirmed the Sydney Opera House would be lit up on Monday night to support the [&#8230;]</p>
<p>The post <a href="https://www.jwire.com.au/sydney-opera-house-to-be-illuminated-blue-and-white/">Australian landmarks light up in solidarity for Israel</a> appeared first on <a href="https://www.jwire.com.au">J-Wire</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">151318</post-id>	</item>
		<item>
		<title>The Tales of Hoffmann</title>
		<link>https://www.jwire.com.au/the-tales-of-hoffmann/</link>
					<comments>https://www.jwire.com.au/the-tales-of-hoffmann/#respond</comments>
		
		<dc:creator><![CDATA[ ]]></dc:creator>
		<pubDate>Thu, 13 Jul 2023 08:08:46 +0000</pubDate>
				<category><![CDATA[Featured Articles]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[Keith saunders]]></category>
		<category><![CDATA[Murray dahm]]></category>
		<category><![CDATA[opera]]></category>
		<category><![CDATA[opera australia]]></category>
		<category><![CDATA[sydney opera house]]></category>
		<category><![CDATA[tales of hoffmann]]></category>
		<guid isPermaLink="false">https://www.jwire.com.au/?p=149113</guid>

					<description><![CDATA[<p>An opera review by Murray Dahm Jacques Offenbach’s 1881 opéra fantastique The Tales of Hoffmann (Les contes d&#8217;Hoffmann in French) is a fascinating work for a whole number of reasons. Offenbach actually died (in October 1889) four months before the work premiered and so never got to see it succeed. It was also, originally an Opéra-Comique – with [&#8230;]</p>
<p>The post <a href="https://www.jwire.com.au/the-tales-of-hoffmann/">The Tales of Hoffmann</a> appeared first on <a href="https://www.jwire.com.au">J-Wire</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">149113</post-id>	</item>
		<item>
		<title>A beauty and two beasts: Music review by Fraser Beath McEwing</title>
		<link>https://www.jwire.com.au/a-beauty-and-two-beasts-music-review-by-fraser-beath-mcewing/</link>
					<comments>https://www.jwire.com.au/a-beauty-and-two-beasts-music-review-by-fraser-beath-mcewing/#comments</comments>
		
		<dc:creator><![CDATA[Fraser Beath McEwing]]></dc:creator>
		<pubDate>Thu, 10 Nov 2022 00:09:25 +0000</pubDate>
				<category><![CDATA[Featured Articles]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[beethoven]]></category>
		<category><![CDATA[brahms]]></category>
		<category><![CDATA[fraser beath mcewing]]></category>
		<category><![CDATA[James ehnes]]></category>
		<category><![CDATA[simone young]]></category>
		<category><![CDATA[sydney opera house]]></category>
		<category><![CDATA[sydney symphony]]></category>
		<guid isPermaLink="false">https://www.jwire.com.au/?p=142295</guid>

					<description><![CDATA[<p>Under the baton of Simone Young, the SSO turned in a stirring performance last night from the two big Bs: Brahms’ first symphony and Beethoven’s violin concerto with soloist James Ehnes. But first came the latest rung in the wondrously growing ladder of contemporary Australian composers. Unlike many of the works of little-known local composers [&#8230;]</p>
<p>The post <a href="https://www.jwire.com.au/a-beauty-and-two-beasts-music-review-by-fraser-beath-mcewing/">A beauty and two beasts: Music review by Fraser Beath McEwing</a> appeared first on <a href="https://www.jwire.com.au">J-Wire</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">142295</post-id>	</item>
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