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	<title>percussion Archives &#8211; J-Wire</title>
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		<title>Favourite bookends and a bone-shaking middle</title>
		<link>https://www.jwire.com.au/favourite-bookends-bone-shaking-middle/</link>
					<comments>https://www.jwire.com.au/favourite-bookends-bone-shaking-middle/#respond</comments>
		
		<dc:creator><![CDATA[Fraser Beath McEwing]]></dc:creator>
		<pubDate>Wed, 19 Nov 2014 19:43:58 +0000</pubDate>
				<category><![CDATA[Featured Articles]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[beethoven]]></category>
		<category><![CDATA[brahms]]></category>
		<category><![CDATA[colin currie]]></category>
		<category><![CDATA[Osmo Vanska]]></category>
		<category><![CDATA[percussion]]></category>
		<category><![CDATA[sso]]></category>
		<guid isPermaLink="false">http://www.jwire.com.au/?p=47605</guid>

					<description><![CDATA[<p>The grandeur and familiarity of Beethoven and Brahms sat either side of a pyrotechnic exhibition in sound at the SSO Master Series in the Sydney Opera House last night, writes Fraser Beath McEwing.</p>
<p>The post <a href="https://www.jwire.com.au/favourite-bookends-bone-shaking-middle/">Favourite bookends and a bone-shaking middle</a> appeared first on <a href="https://www.jwire.com.au">J-Wire</a>.</p>
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