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	<title>opera Archives &#8211; J-Wire</title>
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	<description>Australia, NZ and worldwide Jewish news that matters</description>
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		<title>La Rondine</title>
		<link>https://www.jwire.com.au/la-rondine/</link>
					<comments>https://www.jwire.com.au/la-rondine/#respond</comments>
		
		<dc:creator><![CDATA[Alex First]]></dc:creator>
		<pubDate>Fri, 09 Aug 2024 05:05:30 +0000</pubDate>
				<category><![CDATA[Featured Articles]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[melbourne]]></category>
		<category><![CDATA[opera]]></category>
		<guid isPermaLink="false">https://www.jwire.com.au/?p=161057</guid>

					<description><![CDATA[<p>A Melbourne opera review by Alex First Can one truly escape one’s past? Can true love win out? These are questions posed in Giacomo Puccini’s La Rondine (The Swallow). The three-act lyric opera set in Paris and on the French Riviera concerns the fate of a mistress. She – Magda – and her provider, the [&#8230;]</p>
<p>The post <a href="https://www.jwire.com.au/la-rondine/">La Rondine</a> appeared first on <a href="https://www.jwire.com.au">J-Wire</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">161057</post-id>	</item>
		<item>
		<title>A conversation with conductor Lidiya Yankovskaya</title>
		<link>https://www.jwire.com.au/a-conversation-with-conductor-lidiya-yankovskaya/</link>
					<comments>https://www.jwire.com.au/a-conversation-with-conductor-lidiya-yankovskaya/#respond</comments>
		
		<dc:creator><![CDATA[Henry Benjamin]]></dc:creator>
		<pubDate>Wed, 10 Jul 2024 04:30:59 +0000</pubDate>
				<category><![CDATA[Featured Articles]]></category>
		<category><![CDATA[Lidiya Yankovskaya]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[opera]]></category>
		<guid isPermaLink="false">https://www.jwire.com.au/?p=160031</guid>

					<description><![CDATA[<p>Lidiya Yankovskaya left her home city of St Petersburg in 1995 to seek a new home with her family in Albany, New York, escaping the rampant antisemitism sweeping the Russian city. In 2024, she visits Sydney for the first time and marvels at the amazing views from the conductor&#8217;s dressing room at the Opera House&#8217;s [&#8230;]</p>
<p>The post <a href="https://www.jwire.com.au/a-conversation-with-conductor-lidiya-yankovskaya/">A conversation with conductor Lidiya Yankovskaya</a> appeared first on <a href="https://www.jwire.com.au">J-Wire</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">160031</post-id>	</item>
		<item>
		<title>Mozart opera has its Sydney premiere</title>
		<link>https://www.jwire.com.au/mozart-opera-has-its-sydney-premiere/</link>
					<comments>https://www.jwire.com.au/mozart-opera-has-its-sydney-premiere/#respond</comments>
		
		<dc:creator><![CDATA[Features Desk]]></dc:creator>
		<pubDate>Wed, 31 Jan 2024 00:51:41 +0000</pubDate>
				<category><![CDATA[Featured Articles]]></category>
		<category><![CDATA[mozart]]></category>
		<category><![CDATA[opera]]></category>
		<category><![CDATA[sydney]]></category>
		<guid isPermaLink="false">https://www.jwire.com.au/?p=155530</guid>

					<description><![CDATA[<p>Opera Australia and Victorian Opera’s exciting new co-production by Lindy Hume of Mozart’s Idomeneo will have its Sydney Premiere at the Joan Sutherland Theatre, opening on 20 February and running to 15 March. This production is the first partnership between these two leading Australian performing arts organisations, extending both companies’ capabilities to present world-class opera [&#8230;]</p>
<p>The post <a href="https://www.jwire.com.au/mozart-opera-has-its-sydney-premiere/">Mozart opera has its Sydney premiere</a> appeared first on <a href="https://www.jwire.com.au">J-Wire</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">155530</post-id>	</item>
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		<title>Verdi’s masterpiece La Traviata in best production ever</title>
		<link>https://www.jwire.com.au/verdis-masterpiece-la-traviata-in-best-production-ever/</link>
					<comments>https://www.jwire.com.au/verdis-masterpiece-la-traviata-in-best-production-ever/#respond</comments>
		
		<dc:creator><![CDATA[Victor Grynberg]]></dc:creator>
		<pubDate>Thu, 04 Jan 2024 04:43:20 +0000</pubDate>
				<category><![CDATA[Featured Articles]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[Opera]]></category>
		<category><![CDATA[theatre]]></category>
		<category><![CDATA[la traviata]]></category>
		<category><![CDATA[opera]]></category>
		<category><![CDATA[opera australia]]></category>
		<category><![CDATA[samantha clarke]]></category>
		<guid isPermaLink="false">https://www.jwire.com.au/?p=154626</guid>

					<description><![CDATA[<p>An Opera review by Victor Grynberg  Critics are meant to be unbiased, but this critic will happily admit that Giuseppe Verdi is his favourite (amongst quite a few) opera composer, and of all the Verdi masterpieces, La Traviata is indeed his first choice. For a generation, I always thought the classic production originally directed and [&#8230;]</p>
<p>The post <a href="https://www.jwire.com.au/verdis-masterpiece-la-traviata-in-best-production-ever/">Verdi’s masterpiece La Traviata in best production ever</a> appeared first on <a href="https://www.jwire.com.au">J-Wire</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">154626</post-id>	</item>
		<item>
		<title>The Tales of Hoffmann</title>
		<link>https://www.jwire.com.au/the-tales-of-hoffmann/</link>
					<comments>https://www.jwire.com.au/the-tales-of-hoffmann/#respond</comments>
		
		<dc:creator><![CDATA[ ]]></dc:creator>
		<pubDate>Thu, 13 Jul 2023 08:08:46 +0000</pubDate>
				<category><![CDATA[Featured Articles]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[Keith saunders]]></category>
		<category><![CDATA[Murray dahm]]></category>
		<category><![CDATA[opera]]></category>
		<category><![CDATA[opera australia]]></category>
		<category><![CDATA[sydney opera house]]></category>
		<category><![CDATA[tales of hoffmann]]></category>
		<guid isPermaLink="false">https://www.jwire.com.au/?p=149113</guid>

					<description><![CDATA[<p>An opera review by Murray Dahm Jacques Offenbach’s 1881 opéra fantastique The Tales of Hoffmann (Les contes d&#8217;Hoffmann in French) is a fascinating work for a whole number of reasons. Offenbach actually died (in October 1889) four months before the work premiered and so never got to see it succeed. It was also, originally an Opéra-Comique – with [&#8230;]</p>
<p>The post <a href="https://www.jwire.com.au/the-tales-of-hoffmann/">The Tales of Hoffmann</a> appeared first on <a href="https://www.jwire.com.au">J-Wire</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">149113</post-id>	</item>
		<item>
		<title>Idomeneo: an opera review by Alex First</title>
		<link>https://www.jwire.com.au/idomeneo-an-opera-reviewby-alex-first/</link>
					<comments>https://www.jwire.com.au/idomeneo-an-opera-reviewby-alex-first/#respond</comments>
		
		<dc:creator><![CDATA[Alex First]]></dc:creator>
		<pubDate>Fri, 07 Jul 2023 07:12:42 +0000</pubDate>
				<category><![CDATA[Featured Articles]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[theatre]]></category>
		<category><![CDATA[opera]]></category>
		<guid isPermaLink="false">https://www.jwire.com.au/?p=149005</guid>

					<description><![CDATA[<p>Superb staging is a hallmark of Mozart’s dramatic opera Idomeneo, set on the island of Crete shortly after the Trojan War. Ilia, daughter of the defeated Trojan King Priam, expresses conflicting emotions. She has love for her rescuer, Idamante, son of Cretan King Idomeneo, and hatred for her father’s Greek enemies, who killed both her [&#8230;]</p>
<p>The post <a href="https://www.jwire.com.au/idomeneo-an-opera-reviewby-alex-first/">Idomeneo: an opera review by Alex First</a> appeared first on <a href="https://www.jwire.com.au">J-Wire</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">149005</post-id>	</item>
		<item>
		<title>Opera Australia showcases premiere of Adriana Lecouvreur</title>
		<link>https://www.jwire.com.au/opera-australia-showcases-premiere-of-adriana-lecouvreur/</link>
					<comments>https://www.jwire.com.au/opera-australia-showcases-premiere-of-adriana-lecouvreur/#respond</comments>
		
		<dc:creator><![CDATA[Features Desk]]></dc:creator>
		<pubDate>Fri, 17 Feb 2023 03:09:42 +0000</pubDate>
				<category><![CDATA[Featured Articles]]></category>
		<category><![CDATA[opera]]></category>
		<guid isPermaLink="false">https://www.jwire.com.au/?p=144917</guid>

					<description><![CDATA[<p>The Australian premiere of acclaimed Italian director Rosetta Cucchi’s production of Adriana Lecouvreur will feature an outstanding quartet of some of the world’s most extraordinary opera singers when it opens at the Sydney Opera House on Monday. The role of Adriana Lecouvreur demands the finest talent in both singing and acting, and Albanian soprano Ermonela [&#8230;]</p>
<p>The post <a href="https://www.jwire.com.au/opera-australia-showcases-premiere-of-adriana-lecouvreur/">Opera Australia showcases premiere of Adriana Lecouvreur</a> appeared first on <a href="https://www.jwire.com.au">J-Wire</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">144917</post-id>	</item>
		<item>
		<title>Phantom of the Opera: Murray Dahm talks with Naomi Johns</title>
		<link>https://www.jwire.com.au/phantom-of-the-opera-murray-dahms-talks-with-naomi-johns/</link>
					<comments>https://www.jwire.com.au/phantom-of-the-opera-murray-dahms-talks-with-naomi-johns/#respond</comments>
		
		<dc:creator><![CDATA[Murray Dahm]]></dc:creator>
		<pubDate>Fri, 25 Mar 2022 00:42:24 +0000</pubDate>
				<category><![CDATA[Featured Articles]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[opera]]></category>
		<category><![CDATA[opera australia]]></category>
		<category><![CDATA[phantom of the opera]]></category>
		<guid isPermaLink="false">https://www.jwire.com.au/?p=135276</guid>

					<description><![CDATA[<p>Naomi Johns was very excited to be involved in her first-ever Opera Australia publicity when I spoke with her ahead of the opening night of Handa Opera on Sydney Harbour’s Phantom of the Opera production which opens tonight. This production represents a whole series of firsts. It is the first outdoor production of the Sir [&#8230;]</p>
<p>The post <a href="https://www.jwire.com.au/phantom-of-the-opera-murray-dahms-talks-with-naomi-johns/">Phantom of the Opera: Murray Dahm talks with Naomi Johns</a> appeared first on <a href="https://www.jwire.com.au">J-Wire</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">135276</post-id>	</item>
		<item>
		<title>La Juive: an opera about the forbidden love between a Jewish woman and Christian man</title>
		<link>https://www.jwire.com.au/la-jeuve-an-opera-about-the-forbidden-love-between-a-jewish-woman-and-christian-man/</link>
					<comments>https://www.jwire.com.au/la-jeuve-an-opera-about-the-forbidden-love-between-a-jewish-woman-and-christian-man/#respond</comments>
		
		<dc:creator><![CDATA[Features Desk]]></dc:creator>
		<pubDate>Fri, 18 Feb 2022 01:04:55 +0000</pubDate>
				<category><![CDATA[Featured Articles]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[la juive]]></category>
		<category><![CDATA[opera]]></category>
		<guid isPermaLink="false">https://www.jwire.com.au/?p=134132</guid>

					<description><![CDATA[<p>After pandemic restrictions shut down its scheduled opening in 2020, acclaimed French director Olivier Py’s new production of La Juive will finally have its Australian premiere at the Sydney Opera House, this coming March. Big and tragically romantic, Fromental Halévy’s heart-wrenching opera about forbidden love between a Christian and a Jew offers audiences the rare [&#8230;]</p>
<p>The post <a href="https://www.jwire.com.au/la-jeuve-an-opera-about-the-forbidden-love-between-a-jewish-woman-and-christian-man/">La Juive: an opera about the forbidden love between a Jewish woman and Christian man</a> appeared first on <a href="https://www.jwire.com.au">J-Wire</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">134132</post-id>	</item>
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		<title>$20 tickets for Opera Australia at the Sydney Opera House for  years 11 &#038; 12 students</title>
		<link>https://www.jwire.com.au/20-tickets-for-opera-australia-at-the-sydney-opera-house-for-years-11-12-students/</link>
					<comments>https://www.jwire.com.au/20-tickets-for-opera-australia-at-the-sydney-opera-house-for-years-11-12-students/#respond</comments>
		
		<dc:creator><![CDATA[J-Wire Newsdesk]]></dc:creator>
		<pubDate>Mon, 31 Jan 2022 00:34:15 +0000</pubDate>
				<category><![CDATA[Have You Heard?]]></category>
		<category><![CDATA[opera]]></category>
		<guid isPermaLink="false">https://www.jwire.com.au/?p=133584</guid>

					<description><![CDATA[<p>Opera Australia has partnered with The Bourne Foundation to offer year 11 and 12 students $20 tickets to see Puccini’s Turandot and Mozart’s The Marriage of Figaro during its summer season at the Sydney Opera House. School students with an interest in music, drama, fashion, art and design are invited to experience the joy of live opera, with subsidised [&#8230;]</p>
<p>The post <a href="https://www.jwire.com.au/20-tickets-for-opera-australia-at-the-sydney-opera-house-for-years-11-12-students/">$20 tickets for Opera Australia at the Sydney Opera House for  years 11 &#038; 12 students</a> appeared first on <a href="https://www.jwire.com.au">J-Wire</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">133584</post-id>	</item>
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