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	<title>Arts Archives &#8211; J-Wire</title>
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		<title>A Swedish saviour</title>
		<link>https://www.jwire.com.au/a-swedish-saviour/</link>
					<comments>https://www.jwire.com.au/a-swedish-saviour/#respond</comments>
		
		<dc:creator><![CDATA[Alan Slade]]></dc:creator>
		<pubDate>Tue, 26 May 2026 07:36:58 +0000</pubDate>
				<category><![CDATA[Featured Articles]]></category>
		<category><![CDATA[movies]]></category>
		<guid isPermaLink="false">https://www.jwire.com.au/?p=181709</guid>

					<description><![CDATA[<p>Unknown to this Netflix subscriber, The Swedish Connection (Swedish: Den svenska länken) is the story of the heroic activities of a Swedish bureaucrat who is credited with rescuing 100,000 Jews during WWII. Coming within a week of seeing the wonderful Sydney Opera House one-man performance by Anton Berezin of the dramatisation of Eddie Jaku’s best-seller “The [&#8230;]</p>
<p>The post <a href="https://www.jwire.com.au/a-swedish-saviour/">A Swedish saviour</a> appeared first on <a href="https://www.jwire.com.au">J-Wire</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">181709</post-id>	</item>
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		<title>Heart of a Stranger</title>
		<link>https://www.jwire.com.au/heart-of-a-stranger/</link>
					<comments>https://www.jwire.com.au/heart-of-a-stranger/#comments</comments>
		
		<dc:creator><![CDATA[Anne Sarzin]]></dc:creator>
		<pubDate>Mon, 25 May 2026 00:49:20 +0000</pubDate>
				<category><![CDATA[Books]]></category>
		<category><![CDATA[Featured Articles]]></category>
		<guid isPermaLink="false">https://www.jwire.com.au/?p=181489</guid>

					<description><![CDATA[<p>Book review by Dr Anne Sarzin Everything about Rabbi Angela Buchdahl’s compelling memoir is unusual. This is the only autobiography I’ve ever read that includes a dedicated Devar Torah in every chapter, an exploration of Jewish teachings that provide spiritual guidance for her readers. Buchdahl’s memoir focuses mainly on her own very unique story, her [&#8230;]</p>
<p>The post <a href="https://www.jwire.com.au/heart-of-a-stranger/">Heart of a Stranger</a> appeared first on <a href="https://www.jwire.com.au">J-Wire</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">181489</post-id>	</item>
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		<title>Art exhibition shines light on Jewish ritual and memory</title>
		<link>https://www.jwire.com.au/art-exhibition-shines-light/</link>
					<comments>https://www.jwire.com.au/art-exhibition-shines-light/#respond</comments>
		
		<dc:creator><![CDATA[Rob Klein]]></dc:creator>
		<pubDate>Sun, 24 May 2026 01:33:09 +0000</pubDate>
				<category><![CDATA[Arts]]></category>
		<category><![CDATA[Exhibitions]]></category>
		<category><![CDATA[Featured Articles]]></category>
		<category><![CDATA[art]]></category>
		<category><![CDATA[art exhibition]]></category>
		<category><![CDATA[exhibition]]></category>
		<category><![CDATA[goldstone gallery]]></category>
		<category><![CDATA[jewish]]></category>
		<category><![CDATA[jewish identity]]></category>
		<category><![CDATA[melbourne]]></category>
		<guid isPermaLink="false">https://www.jwire.com.au/?p=181581</guid>

					<description><![CDATA[<p>Four contemporary Jewish artists are sharing Goldstone Gallery’s Collingwood space in a program that moves between ritual objects, light sculpture, cut-paper work and ceramics. The exhibitions bring together Ilan El, Chaya Joffe, Ryan Abramowitz and Deborah Wargon, each working in a different medium but circling similar questions: how objects carry memory, how ritual lives in [&#8230;]</p>
<p>The post <a href="https://www.jwire.com.au/art-exhibition-shines-light/">Art exhibition shines light on Jewish ritual and memory</a> appeared first on <a href="https://www.jwire.com.au">J-Wire</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">181581</post-id>	</item>
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		<title>Beau Jest</title>
		<link>https://www.jwire.com.au/beau-jest/</link>
					<comments>https://www.jwire.com.au/beau-jest/#respond</comments>
		
		<dc:creator><![CDATA[Alex First]]></dc:creator>
		<pubDate>Wed, 20 May 2026 07:09:16 +0000</pubDate>
				<category><![CDATA[Featured Articles]]></category>
		<category><![CDATA[theatre]]></category>
		<guid isPermaLink="false">https://www.jwire.com.au/?p=181506</guid>

					<description><![CDATA[<p>A Melbourne theatre review by Alex First &#160; I can’t think of a Saltpillar Theatre endeavour that I have enjoyed more than this delightful production of Beau Jest. Premiering in Chicago in 1989, the romantic comedy written by James Sherman moves along at pace and is simply so much fun. It concerns a nice Jewish [&#8230;]</p>
<p>The post <a href="https://www.jwire.com.au/beau-jest/">Beau Jest</a> appeared first on <a href="https://www.jwire.com.au">J-Wire</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">181506</post-id>	</item>
		<item>
		<title>Chaim Grade’s &#8220;Sons and Daughters&#8221;</title>
		<link>https://www.jwire.com.au/chaim-grades-sons-and-daughters/</link>
					<comments>https://www.jwire.com.au/chaim-grades-sons-and-daughters/#respond</comments>
		
		<dc:creator><![CDATA[Anne Sarzin]]></dc:creator>
		<pubDate>Wed, 20 May 2026 06:03:56 +0000</pubDate>
				<category><![CDATA[Books]]></category>
		<category><![CDATA[Featured Articles]]></category>
		<guid isPermaLink="false">https://www.jwire.com.au/?p=181494</guid>

					<description><![CDATA[<p>Book review by Dr Anne Sarzin Chaim Grade’s Sons and Daughters transports one brilliantly and completely into the bygone world of the Jewish shtetl, which existed perilously in Poland and Russia between the two world wars. Grade’s vivid descriptive powers evoke this time and place with its Shabbos cholent, tattered prayer books, competitive rabbis, young [&#8230;]</p>
<p>The post <a href="https://www.jwire.com.au/chaim-grades-sons-and-daughters/">Chaim Grade’s &#8220;Sons and Daughters&#8221;</a> appeared first on <a href="https://www.jwire.com.au">J-Wire</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">181494</post-id>	</item>
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		<title>Cast announced for Australia&#8217;s Fiddler on the Roof</title>
		<link>https://www.jwire.com.au/cast-announced-for-fiddler/</link>
					<comments>https://www.jwire.com.au/cast-announced-for-fiddler/#respond</comments>
		
		<dc:creator><![CDATA[Rob Klein]]></dc:creator>
		<pubDate>Tue, 19 May 2026 07:23:38 +0000</pubDate>
				<category><![CDATA[News]]></category>
		<category><![CDATA[theatre]]></category>
		<category><![CDATA[alexis fishman]]></category>
		<category><![CDATA[australia]]></category>
		<category><![CDATA[awards]]></category>
		<category><![CDATA[fiddler on the roof]]></category>
		<category><![CDATA[jewish]]></category>
		<category><![CDATA[Sigrid Thornton]]></category>
		<category><![CDATA[sydney]]></category>
		<category><![CDATA[troy sussman]]></category>
		<guid isPermaLink="false">https://www.jwire.com.au/?p=181399</guid>

					<description><![CDATA[<p>Troy Sussman began preparing for Tevye before he knew the role was his. As soon as he found out he was auditioning for “Fiddler on the Roof”, he stopped shaving. By the time he sat down to talk about the part, the veteran Australian performer had grown the full beard he plans to take onto [&#8230;]</p>
<p>The post <a href="https://www.jwire.com.au/cast-announced-for-fiddler/">Cast announced for Australia&#8217;s Fiddler on the Roof</a> appeared first on <a href="https://www.jwire.com.au">J-Wire</a>.</p>
]]></description>
		
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			<slash:comments>0</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">181399</post-id>	</item>
		<item>
		<title>Pianist knew he was &#8220;overstepping the mark&#8221; on Gaza</title>
		<link>https://www.jwire.com.au/pianist-knew-he-was-overstepping-the-mark-on-gaza/</link>
					<comments>https://www.jwire.com.au/pianist-knew-he-was-overstepping-the-mark-on-gaza/#respond</comments>
		
		<dc:creator><![CDATA[AAP]]></dc:creator>
		<pubDate>Mon, 18 May 2026 22:41:29 +0000</pubDate>
				<category><![CDATA[Arts]]></category>
		<category><![CDATA[Local]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[gaza]]></category>
		<category><![CDATA[hamas]]></category>
		<category><![CDATA[israel]]></category>
		<category><![CDATA[jayson gillham]]></category>
		<category><![CDATA[melbourne]]></category>
		<category><![CDATA[melbourne symphony orchestra]]></category>
		<guid isPermaLink="false">https://www.jwire.com.au/?p=181385</guid>

					<description><![CDATA[<p>Concert pianist Jayson Gillham has denied he deliberately misled the Melbourne Symphony Orchestra about performing a piece dedicated to journalists killed in Gaza. It has been almost two years since Gillham played Witness by composer Connor D’Netto at an MSO concert, preceded by onstage comments about Israel killing journalists. The pianist is suing the orchestra [&#8230;]</p>
<p>The post <a href="https://www.jwire.com.au/pianist-knew-he-was-overstepping-the-mark-on-gaza/">Pianist knew he was &#8220;overstepping the mark&#8221; on Gaza</a> appeared first on <a href="https://www.jwire.com.au">J-Wire</a>.</p>
]]></description>
		
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			<slash:comments>0</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">181385</post-id>	</item>
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		<title>Pianist’s Gaza remarks spark Federal Court fight</title>
		<link>https://www.jwire.com.au/pianists-gaza-remarks-spark-federal-court-fight/</link>
					<comments>https://www.jwire.com.au/pianists-gaza-remarks-spark-federal-court-fight/#comments</comments>
		
		<dc:creator><![CDATA[AAP]]></dc:creator>
		<pubDate>Mon, 18 May 2026 05:13:28 +0000</pubDate>
				<category><![CDATA[Arts]]></category>
		<category><![CDATA[Local]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[hamas]]></category>
		<category><![CDATA[Islamic Jihad]]></category>
		<category><![CDATA[israel]]></category>
		<category><![CDATA[jayson gillham]]></category>
		<category><![CDATA[journalists]]></category>
		<category><![CDATA[melbourne]]></category>
		<category><![CDATA[melbourne symphony orchestra]]></category>
		<category><![CDATA[orchestra]]></category>
		<guid isPermaLink="false">https://www.jwire.com.au/?p=181341</guid>

					<description><![CDATA[<p>A court has heard the Melbourne Symphony Orchestra was thrown into turmoil after pianist Jayson Gillham made comments about the war in Gaza during a concert. Gillham is suing the orchestra in the Federal Court, alleging discrimination on the basis of political opinion after a 2024 performance in which he performed a solo piece dedicated [&#8230;]</p>
<p>The post <a href="https://www.jwire.com.au/pianists-gaza-remarks-spark-federal-court-fight/">Pianist’s Gaza remarks spark Federal Court fight</a> appeared first on <a href="https://www.jwire.com.au">J-Wire</a>.</p>
]]></description>
		
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			<slash:comments>2</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">181341</post-id>	</item>
		<item>
		<title>Israel defies Eurovision pressure to claim second place</title>
		<link>https://www.jwire.com.au/israel-defies-eurovision-pressure-to-claim-second-place/</link>
					<comments>https://www.jwire.com.au/israel-defies-eurovision-pressure-to-claim-second-place/#comments</comments>
		
		<dc:creator><![CDATA[Rob Klein]]></dc:creator>
		<pubDate>Sun, 17 May 2026 03:16:11 +0000</pubDate>
				<category><![CDATA[Israel]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[anti-israel]]></category>
		<category><![CDATA[boycott]]></category>
		<category><![CDATA[eurovision]]></category>
		<category><![CDATA[gal gadot]]></category>
		<category><![CDATA[israel]]></category>
		<category><![CDATA[noam bettan]]></category>
		<guid isPermaLink="false">https://www.jwire.com.au/?p=181290</guid>

					<description><![CDATA[<p>Israel’s Noam Bettan has finished second at the Eurovision Song Contest in Vienna, after a campaign marked by boycott calls, protests and intense scrutiny of Israel’s place in the competition. Bettan sang “Michelle”, an upbeat pop song in English, French and Hebrew. He finished with 343 points, including 123 from national juries and 220 from [&#8230;]</p>
<p>The post <a href="https://www.jwire.com.au/israel-defies-eurovision-pressure-to-claim-second-place/">Israel defies Eurovision pressure to claim second place</a> appeared first on <a href="https://www.jwire.com.au">J-Wire</a>.</p>
]]></description>
		
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			<slash:comments>1</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">181290</post-id>	</item>
		<item>
		<title>A Jewish Australian story shines again at Eurovision</title>
		<link>https://www.jwire.com.au/a-jewish-australian-story-shines-again-at-eurovision/</link>
					<comments>https://www.jwire.com.au/a-jewish-australian-story-shines-again-at-eurovision/#respond</comments>
		
		<dc:creator><![CDATA[J-Wire News Service]]></dc:creator>
		<pubDate>Fri, 15 May 2026 05:31:42 +0000</pubDate>
				<category><![CDATA[Music]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[danny estrin]]></category>
		<category><![CDATA[eurovision]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[Voyager]]></category>
		<guid isPermaLink="false">https://www.jwire.com.au/?p=181253</guid>

					<description><![CDATA[<p>As Eurovision heads into its 2026 finals in Vienna, Danny Estrin is returning to the contest in a new role, bringing the same Jewish pride and Australian energy that made Voyager’s 2023 performance stand out. The Voyager frontman walked onto the Liverpool stage with his red keytar, bleached hair and unmistakable energy, leading the Perth [&#8230;]</p>
<p>The post <a href="https://www.jwire.com.au/a-jewish-australian-story-shines-again-at-eurovision/">A Jewish Australian story shines again at Eurovision</a> appeared first on <a href="https://www.jwire.com.au">J-Wire</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">181253</post-id>	</item>
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