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	<title>Arts Archives &#8211; J-Wire</title>
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	<description>Australia, NZ and worldwide Jewish news that matters</description>
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		<title>The Phantom of the Opera</title>
		<link>https://www.jwire.com.au/the-phantom-of-the-opera/</link>
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		<dc:creator><![CDATA[Alex First]]></dc:creator>
		<pubDate>Mon, 06 Apr 2026 09:31:47 +0000</pubDate>
				<category><![CDATA[Featured Articles]]></category>
		<category><![CDATA[Opera]]></category>
		<guid isPermaLink="false">https://www.jwire.com.au/?p=179485</guid>

					<description><![CDATA[<p>An opera review by Alex First Superlatives can’t do justice to a magnificent Handa Opera production of The Phantom of the Opera on its 40th anniversary. With the Sydney Opera House and Harbour Bridge as a spectacular backdrop, the leads are glorious, the chorus captivating and the production values mesmerising. As far as the staging [&#8230;]</p>
<p>The post <a href="https://www.jwire.com.au/the-phantom-of-the-opera/">The Phantom of the Opera</a> appeared first on <a href="https://www.jwire.com.au">J-Wire</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">179485</post-id>	</item>
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		<title>The High Road: Confessions of a homicide cop</title>
		<link>https://www.jwire.com.au/the-high-road-confessions-of-a-homicide-cop/</link>
					<comments>https://www.jwire.com.au/the-high-road-confessions-of-a-homicide-cop/#comments</comments>
		
		<dc:creator><![CDATA[Anne Sarzin]]></dc:creator>
		<pubDate>Mon, 06 Apr 2026 08:20:38 +0000</pubDate>
				<category><![CDATA[Books]]></category>
		<category><![CDATA[Featured Articles]]></category>
		<guid isPermaLink="false">https://www.jwire.com.au/?p=179479</guid>

					<description><![CDATA[<p>Book review by Dr Anne Sarzin If you think the confessions of a homicide cop are not your beat, this book should change your mind. It packs a realistic punch with an array of gut-wrenching case histories that a dedicated Canadian homicide team solves despite the complexities. On the surface, The High Road is a factual, straightforward [&#8230;]</p>
<p>The post <a href="https://www.jwire.com.au/the-high-road-confessions-of-a-homicide-cop/">The High Road: Confessions of a homicide cop</a> appeared first on <a href="https://www.jwire.com.au">J-Wire</a>.</p>
]]></description>
		
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		<title>Carole King made the earth move</title>
		<link>https://www.jwire.com.au/carole-king-made-the-earth-move/</link>
					<comments>https://www.jwire.com.au/carole-king-made-the-earth-move/#respond</comments>
		
		<dc:creator><![CDATA[Anne Sarzin]]></dc:creator>
		<pubDate>Wed, 25 Mar 2026 07:47:58 +0000</pubDate>
				<category><![CDATA[Books]]></category>
		<category><![CDATA[Featured Articles]]></category>
		<category><![CDATA[books]]></category>
		<category><![CDATA[Carole king]]></category>
		<category><![CDATA[reviews]]></category>
		<guid isPermaLink="false">https://www.jwire.com.au/?p=179151</guid>

					<description><![CDATA[<p>Book review by Dr Anne Sarzin Generations have lived the most significant events in their lives to the soundtrack of Carole King’s songs. Songs such as Will You Still Love Me Tomorrow, Everybody’s Doing a New Dance Now, and (You Make Me Feel Like a) Natural Woman, the iconic song that ironically—given King’s non-identification with [&#8230;]</p>
<p>The post <a href="https://www.jwire.com.au/carole-king-made-the-earth-move/">Carole King made the earth move</a> appeared first on <a href="https://www.jwire.com.au">J-Wire</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">179151</post-id>	</item>
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		<title>Organic Saint-Saens</title>
		<link>https://www.jwire.com.au/organic-saint-saens/</link>
					<comments>https://www.jwire.com.au/organic-saint-saens/#comments</comments>
		
		<dc:creator><![CDATA[Alan Slade]]></dc:creator>
		<pubDate>Sun, 22 Mar 2026 05:46:26 +0000</pubDate>
				<category><![CDATA[Featured Articles]]></category>
		<category><![CDATA[Music]]></category>
		<guid isPermaLink="false">https://www.jwire.com.au/?p=178949</guid>

					<description><![CDATA[<p>Oh, boy – did the Concert Hall of Sydney’s iconic Opera House get an acoustic workout in Saturday afternoon’s Sydney Symphony Orchestra’s Saint-Saens Organ Symphony concert! The concert started with a sparkling walk-on by Anna Lapwood, official organist of the Royal Albert Hall and the soloist for the Saint-Saens. Her black dress with sparkling diamantes [&#8230;]</p>
<p>The post <a href="https://www.jwire.com.au/organic-saint-saens/">Organic Saint-Saens</a> appeared first on <a href="https://www.jwire.com.au">J-Wire</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">178949</post-id>	</item>
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		<title>MinterEllison distances itself from Sydney Biennale as controversy deepens</title>
		<link>https://www.jwire.com.au/minterellison-distances-itself-from-sydney-biennale/</link>
					<comments>https://www.jwire.com.au/minterellison-distances-itself-from-sydney-biennale/#respond</comments>
		
		<dc:creator><![CDATA[J-Wire News Service]]></dc:creator>
		<pubDate>Thu, 19 Mar 2026 05:06:16 +0000</pubDate>
				<category><![CDATA[Arts]]></category>
		<category><![CDATA[Local]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[anti-israel]]></category>
		<category><![CDATA[antizionist]]></category>
		<category><![CDATA[art]]></category>
		<category><![CDATA[jewish]]></category>
		<category><![CDATA[NSW Jewish Board of Deputies]]></category>
		<category><![CDATA[Sydney Biennale]]></category>
		<guid isPermaLink="false">https://www.jwire.com.au/?p=178874</guid>

					<description><![CDATA[<p>Law firm MinterEllison has moved to distance itself from the Biennale of Sydney, asking for its logo to be removed from the festival&#8217;s list of partners and supporters following the opening night controversy involving American performer DJ Haram. The move, first reported by The Australian Financial Review, follows a similar decision by PwC to withdraw [&#8230;]</p>
<p>The post <a href="https://www.jwire.com.au/minterellison-distances-itself-from-sydney-biennale/">MinterEllison distances itself from Sydney Biennale as controversy deepens</a> appeared first on <a href="https://www.jwire.com.au">J-Wire</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">178874</post-id>	</item>
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		<title>West Gate</title>
		<link>https://www.jwire.com.au/west-gate/</link>
					<comments>https://www.jwire.com.au/west-gate/#respond</comments>
		
		<dc:creator><![CDATA[Alex First]]></dc:creator>
		<pubDate>Wed, 18 Mar 2026 07:31:31 +0000</pubDate>
				<category><![CDATA[Featured Articles]]></category>
		<category><![CDATA[theatre]]></category>
		<guid isPermaLink="false">https://www.jwire.com.au/?p=178849</guid>

					<description><![CDATA[<p>A Melbourne Theatre Company production reviewed by Alex First It happened more than 55 years ago – on 15th October, 1970 – and was Australia’s worst industrial accident. I speak of the West Gate Bridge collapse. Thirty-five workers died and 18 were injured. In fact, due to several issues before the bridge fell – identified [&#8230;]</p>
<p>The post <a href="https://www.jwire.com.au/west-gate/">West Gate</a> appeared first on <a href="https://www.jwire.com.au">J-Wire</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">178849</post-id>	</item>
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		<title>Eugene Onegin</title>
		<link>https://www.jwire.com.au/eugene-onegin/</link>
					<comments>https://www.jwire.com.au/eugene-onegin/#respond</comments>
		
		<dc:creator><![CDATA[Victor Grynberg]]></dc:creator>
		<pubDate>Wed, 18 Mar 2026 06:49:01 +0000</pubDate>
				<category><![CDATA[Music]]></category>
		<guid isPermaLink="false">https://www.jwire.com.au/?p=178843</guid>

					<description><![CDATA[<p>An opera review by Victor Grynberg Pyotr Ilyich Tchaikovsky (1840-1893) is widely acknowledged as the finest Russian composer of all time. In fact, most critics will categorise him as one of the five greatest composers ever. Tchaikovsky is best known for his symphonies, especially 4, 5, and 6, his violin and piano concertos, and his [&#8230;]</p>
<p>The post <a href="https://www.jwire.com.au/eugene-onegin/">Eugene Onegin</a> appeared first on <a href="https://www.jwire.com.au">J-Wire</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">178843</post-id>	</item>
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		<title>FLORA  (The Australian Ballet x Bangarra Dance Theatre)</title>
		<link>https://www.jwire.com.au/flora-the-australian-ballet-x-bangarra-dance-theatre/</link>
					<comments>https://www.jwire.com.au/flora-the-australian-ballet-x-bangarra-dance-theatre/#respond</comments>
		
		<dc:creator><![CDATA[Alex First]]></dc:creator>
		<pubDate>Wed, 18 Mar 2026 06:31:54 +0000</pubDate>
				<category><![CDATA[Featured Articles]]></category>
		<category><![CDATA[theatre]]></category>
		<guid isPermaLink="false">https://www.jwire.com.au/?p=178838</guid>

					<description><![CDATA[<p>A Melbourne ballet reviewed by Alex First How to create a compelling world premiere program with life-sustaining plants at its epicentre. That was the challenge. Combining the supreme talents of The Australian Ballet and Bangarra Dance Theatre for a fourth time was a masterstroke … for the result is astounding.  The creative excellence is next [&#8230;]</p>
<p>The post <a href="https://www.jwire.com.au/flora-the-australian-ballet-x-bangarra-dance-theatre/">FLORA  (The Australian Ballet x Bangarra Dance Theatre)</a> appeared first on <a href="https://www.jwire.com.au">J-Wire</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">178838</post-id>	</item>
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		<title>Major sponsor PwC pulls out of Biennale after DJ&#8217;s antisemitic chants</title>
		<link>https://www.jwire.com.au/pwc-pulls-out/</link>
					<comments>https://www.jwire.com.au/pwc-pulls-out/#comments</comments>
		
		<dc:creator><![CDATA[Rob Klein]]></dc:creator>
		<pubDate>Tue, 17 Mar 2026 07:13:25 +0000</pubDate>
				<category><![CDATA[Arts]]></category>
		<category><![CDATA[Local]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Painting and sculpture]]></category>
		<category><![CDATA[alex ryvchin]]></category>
		<category><![CDATA[antisemitism]]></category>
		<category><![CDATA[David Ossip]]></category>
		<category><![CDATA[hate speech]]></category>
		<category><![CDATA[jewish community]]></category>
		<category><![CDATA[NSW Jewish Board of Deputies]]></category>
		<category><![CDATA[Sydney Biennale]]></category>
		<guid isPermaLink="false">https://www.jwire.com.au/?p=178805</guid>

					<description><![CDATA[<p>PwC has withdrawn its sponsorship and association from the Biennale of Sydney following controversy over antisemitic and antizionist remarks during the festival&#8217;s opening night on Friday. The decision stems from a performance by US electronic music producer DJ Haram (real name Zubeyda Muzeyyen) at White Bay Power Station. Within hours of the event&#8217;s start, she [&#8230;]</p>
<p>The post <a href="https://www.jwire.com.au/pwc-pulls-out/">Major sponsor PwC pulls out of Biennale after DJ&#8217;s antisemitic chants</a> appeared first on <a href="https://www.jwire.com.au">J-Wire</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">178805</post-id>	</item>
		<item>
		<title>Outrage after DJ leads antizionist chants at Sydney Biennale</title>
		<link>https://www.jwire.com.au/outrage-after-dj-leads-antizionist-chants-at-sydney-biennale/</link>
					<comments>https://www.jwire.com.au/outrage-after-dj-leads-antizionist-chants-at-sydney-biennale/#comments</comments>
		
		<dc:creator><![CDATA[Rob Klein]]></dc:creator>
		<pubDate>Sat, 14 Mar 2026 22:04:59 +0000</pubDate>
				<category><![CDATA[Arts]]></category>
		<category><![CDATA[Local]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[antisemitism]]></category>
		<category><![CDATA[hate speech]]></category>
		<category><![CDATA[NSW Jewish Board of Deputies]]></category>
		<category><![CDATA[palestinian]]></category>
		<category><![CDATA[terrorism]]></category>
		<guid isPermaLink="false">https://www.jwire.com.au/?p=178702</guid>

					<description><![CDATA[<p>Sydney’s Biennale of Sydney has come under renewed criticism after an American DJ used a festival performance to accuse Israel of genocide and lead chants supporting Palestinian “resistance” during the taxpayer-funded event. The incident occurred during a set by DJ Haram at White Bay Power Station on Friday night. During the performance she led chants [&#8230;]</p>
<p>The post <a href="https://www.jwire.com.au/outrage-after-dj-leads-antizionist-chants-at-sydney-biennale/">Outrage after DJ leads antizionist chants at Sydney Biennale</a> appeared first on <a href="https://www.jwire.com.au">J-Wire</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">178702</post-id>	</item>
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